Professional Grade: Cover Story

The new issue of Agenda Magazine is up…

 I guess we got the cover! Whoo Hoo!!!!

Hair: Bianca McMillan

Professional Grade: Sue Wong

I teamed up with the incomparable Kaylene Peoples (Agenda EIC), Bianca McMillan (hair) and Nia Dennis (stylist) for a photoshoot for Sue Wong.

We got to work on the lovely Isabella for the shoot:

I used the Armani Face Palette in #1 (Neo Black) to create this look. I used Make Up For Ever Aqua Cream in #27 as a base, then patted matte black shadow on top. I softened the edges with the shimmer charcoal green through the crease and under her waterline. I then put Armani Waterproof Eye Pencil in her waterline and applied Velour False Lashes (They’re Real). I contoured her cheeks with Chanel Notorious, and blush from the Armani Palette. On her lips is OCC Liptar in Memento.

Throughout the shoot, I only changed her lip color. The eyes stayed the same.

We also worked on a gorgeous male model (who’s name escapes me)…

…with stylist Nia Dennis.
From the set…
Photographer Ash Gupta
I LOVE this picture. I don’t think Ash was too fond of it, but I love it. So I’m keeping it. 🙂
I had SO much fun on this shoot. Afterwards I crawled home and fell straight into bed. Today I got lovely texts from Isabella and the rest of the team. We work well together. Hopefully, we’ll do it again soon!

Tales from the Set: Night Shoot

I type this with  a minimal amount of sleep, but a maximum amount of satisfaction. I’m alive after a last minute photoshoot that meant pulling double duty… playing makeup artist and stylist… and maintaining some direction for the crew to get us in and out at a decent hour.

This is Onna:

This gorgeous young lady is of Egyptian descent… and was perfect for an upcoming spread for Agenda magazine. After many emails and a little coaxing, she agreed to pull an ‘all nighter’ with Alex Barakat (Studio 838 Photographer), Bianca Lauren McMillan (hair), and myself (makeup/styling/shoot coordinator).

She hung in there like a champ while we painted, pressed, pulled and adorned her for the pictures. She has such a great personality and was ever so patient as we coordinated multiple looks for the editorial.

 My goal was to get everyone wrapped by 11pm. We shot the final frame at 10:58pm. Success! We’re exhausted, but happy. I shot these ‘behind the scenes’ photos with hubby’s camera… but I got a preview of the ‘professional’ shots, and they look AMAZING.

Thank you to Bianca Lauren McMillan, Alex Barakat, Onna, Ash Gupta and everyone else on the crew who made this shoot possible, and so beautiful. You guys are AMAZING. I have no idea how we’d have gotten it done on such short notice without you.

Professional Grade: Behind the Scenes of a Photoshoot

I didn’t participate in the shoot for the above photo, but I’m using the image from Agenda Magazine it because it helps to illustrate my point.

The above credits belong to the following team:

Swimsuits: Beach Bunny Swimwear, Maaji, We Are Handsome
Jewelry: Devon Leigh, Miss G, Nissa Jewelry, EZZA Exlusive, Blonde Ambition
Designers: Alo, Paul and Joe Homme, Brian Lichtenberg, Body Glove, EZZA Exclusive, Vintage, Backstage
Accessories: Mother of London, Agent Provocateur, Brave,

Stylist: Juliet Vo
Makeup: Pavy Olivarez and Maria Barrios
Hair Stylist: Sonia Resends

*The rest of the photos in this post are mine, from a recent editorial shoot.

Lots of times, people only get to see the finished images of any given editorial or photo shoot. Most folks have no idea HOW MUCH goes into getting everything right. Contrary to popular belief, the secret does not lie in the retouch. And as a professional, you don’t want to have to rely on retouching anyway. You should be committed to getting everything as perfect as possible, so that it can be seen with as little retouching as possible.

Although most, if not all professional photos are retouched (save for the Make Up For Ever campaign photos), there is an entire team of people who come together to make those images possible.

Stylist: Nia Dennis
Model: Polyanna

There’s a reason that I harp so much on the professional nature of a team… from models, to photographers, to stylists. Everyone has to be working for a common goal: to get the BEST pictures possible for the project. There is no room for selfishness, diva behavior, crappy attitudes and general tantrums. I’ve come up against my share of divas of late. But I’m always super excited when we’re all working together and making each others jobs easier. None of us would be able to reach our intended goal for the shoot, without the help of the other.

My mantra is, BE ON TIME, DO YOUR JOB, AND DON’T BRING YOUR PERSONAL ISSUES TO THE SET! It’s incredibly refreshing (and worth noting) when everyone else on the team has the exact same mantra. That’s when true magic happens.

Yes, the model still has clips in her hair. I take pictures with the primary goal of finding out how the makeup will look through the lens (which can sometimes differ from how it looks to the naked eye). Since we were shooting in natural light, I took her pictures in natural light as well.

The makeup is worthless without the hair. I’m always amazed at how Bianca can whip up the most FABULOUS of styles in record time. She’s a genius with a comb and a curling iron.

Sometimes I take a moment and look around, and watch everyone doing their respective jobs. It’s truly something to see. No one is laying about or getting in the way. Everyone has a function, and if they’re done with their particular job, they’re helping you with yours. When the crew is considerate, courteous, and consistent… everything runs so much smoother. That, for me, is what helps make the perfect photoshoot.

Professional Grade: On Set with Sophia Bastian

I got called to do makeup for singer Sophia Bastian. She’s got the most amazing voice… and great skin to boot! So I knew my job wouldn’t be hard at all.

 

I did the makeup, Bianca Lauren did the hair… we are shaping up to be a great team. Sophia was primed and prepped and primped to perfection, then we sent her to the set:

This was Sophia’s basic look for the shoot. We altered it slightly later in the day. Bianca pulled her hair back, and I added the thinnest black eyeline and a dark red lip:

When it was all said and done, we got a few shots of the crew:

Sophia and Ian (Director)
Sophia & Matt (Funny or Die)
Sophia & The Crew
I had a great time. The crew was quiet and conscientious, and among the most efficient that I’ve ever worked with. We went in, did our thing, were out in record time. It’s always noteworthy when an operation goes that smooth. Truly professional and excellent work all the way around.
I can’t wait to see the final video!